“Pianist Mila Henry masterfully played the devilishly difficult score, creating a sound world, along with the occasional electronics, that heralded an orchestral score of incredible range and color.”
La Reina (workshop)
InsightALT Festival

“The accompaniment, handled marvelously by Mila Henry, is clear to have much jazz and pop influence and is successful in creating
a whimsical nuance for the fantasy.”

Love/Hate (excerpts)
OPERA America Conference New Works Sampler

“The highlight of the concert, however, was Christopher Cerrone’s heart-breaking, deviously funny, and achingly hopeful “I Will Learn to Love a Person.”…Ms. Henry’s piano was sublime, and Ms. Hawkey’s singing was transformational.”
Feast of Music
Stone Mason Projects at the Wilmer Jennings Gallery

“With a simple formula of three superb vocalists bolstered by some very capable support at the piano, a careful mix of vocal
tapestries melded together.”

AOP25: Celebrating Composers & the Voice
The Phoenix Concerts

“The pianist, Mila Henry, pounded out some minor notes. […] The piano played a creeping, tense melody.”
The New Yorker
“Stop, Frisk, Sing” (The Talk of the Town)
Two Sides Sounding for The BEAT Festival

“Musical director Mila Henry keeps the boozy performances precise, clear, and on-pitch.”
New York Theater Now
SMASHED: The Carrie Nation Story

“My musical director Mila Henry and I have collaborated on…this is our 5th show together. I love her. I couldn’t do these shows without her. I tell the cast ‘Remember you are never out there alone on stage. Miss Mila is always there with you and she’s never gonna let you down.'”
New York Theatre Review
Interview with cabaret partner John C. Hume